Recently, a digitally reconstructed image of Điêu Thuyền, one of China’s four great beauties, using AI technology has taken the internet by storm. The mesmerizing beauty has been likened to a mythological figure brought to life. With her long, high hairstyle adorned with golden hairpins and jade ornaments, snow-white skin, piercing phoenix eyes, and cherry lips, the reconstructed image of Điêu Thuyền has been praised for its perfection, leaving many to believe that she could have been a real historical figure.
The reconstructed image has sparked interest in various on-screen adaptations of Điêu Thuyền. Many viewers have noted that among the numerous versions of Điêu Thuyền in Chinese cinema, only one actress has been widely acclaimed for her portrayal: Trần Hảo. Trần Hảo played the role of Điêu Thuyền in the 2010 TV series Tân Tam Quốc Diễn Nghĩa. Her performance was notable for bringing out both the captivating beauty and the intelligence of the character.
Trần Hảo was not the first to portray Điêu Thuyền; several actresses had played the role before her, including Lưu Diệc Phi, Cổ Lực Na Trát, Trần Hồng, Trương Mẫn, and Đổng Tuyền. While each actress brought a unique interpretation to the role, Trần Hảo’s performance is often considered the most iconic and closest to the reconstructed image generated by AI. Her portrayal has become the standard against which other adaptations are measured.
The recent AI-generated image of Điêu Thuyền has offered a fresh perspective on the legendary beauty, and comparisons with on-screen adaptations have solidified Trần Hảo’s status as the quintessential Điêu Thuyền. Even years after the series aired, Trần Hảo remains the reference point for discussions about the character, reflecting her lasting impact on audiences and her status as a symbol of perfection in beauty and talent.
This resurgence of interest in Điêu Thuyền and Trần Hảo’s portrayal continues to captivate audiences, demonstrating the enduring appeal of both the historical legend and the actress’s memorable performance.
